The euro may soon look very different. The European Central Bank has presented ten shortlisted design proposals for its future banknote series and invited the public to share its preferences. The proposals are divided between two themes: European culture and Rivers and birds.

No final design has been selected. The public consultation will inform the ECB Governing Council, which is expected to decide on the new designs around the end of 2026. Even after that decision, the new banknotes will require years of technical development, security testing and production before entering circulation.

Among the shortlisted entries is Design C by Neue Gestaltung GmbH. Its six denominations are instantly distinguished by colour and geometry, while every front features a major European cultural figure. The reverse sides connect those figures with contemporary spaces where culture continues to live: performance, music, education, libraries, museums and public squares.

Maria Callas – €5

The smallest denomination is dedicated to the performing arts through Maria Callas. Her dramatic intensity, unmistakable voice and extraordinary command of the stage changed modern opera and helped turn the soprano into a lasting symbol of musical theatre.

Ludwig van Beethoven – €10

Beethoven represents music itself. His symphonies, concertos, sonatas and string quartets expanded the expressive possibilities of composition, while the melody of Ode to Joy became one of European’s most recognisable musical emblems.

Marie Curie – €20

The €20 proposal links Curie with universities and schools. Her pioneering research on radioactivity reshaped science and medicine, and her two Nobel Prizes made her an enduring symbol of intellectual courage and discovery.

Miguel de Cervantes – €50

Cervantes stands for European’s literary heritage and its libraries. Don Quixote transformed the modern novel through imagination, humour and psychological insight, leaving a profound mark on writers across languages and centuries.

Leonardo da Vinci – €100

Leonardo’s place on the €100 note connects him with museums and exhibitions. Painter, investigator, engineer and inventor, he remains one of the clearest expressions of the Renaissance ideal: curiosity without boundaries.

Bertha von Suttner – €200

The highest denomination honours Bertha von Suttner, the writer and peace activist who became the first woman to receive the Nobel Peace Prize. Her presence gives the series a humanitarian conclusion, linking European identity not only with achievement, but also with the pursuit of peace.

A CHOICE STILL TO BE MADE

These portraits are not yet European’s next banknotes. They belong to one shortlisted proposal among ten, and the competing nature-themed series remains equally possible. The final result may therefore feature these cultural figures, a different artistic interpretation of them, or rivers and birds instead.

For classical music audiences, however, the possibility of carrying Callas and Beethoven in everyday life is especially compelling. It suggests that cultural heritage need not remain confined to concert halls and museums: it can become part of the objects people touch, exchange and recognise every day.

Important: All banknote images shown are design proposals for a possible future euro banknote series. They are not final designs and are not legal tender. Official proposal imagery is credited to the European Central Bank.

Born into a musical dynasty in Eisenach, Germany—the same town where Martin Luther translated the Bible—Bach’s early exposure to music shaped his extraordinary career. In a famous demonstration of his relentless pursuit of musical excellence, the 20-year-old Bach walked over 250 miles (400 km) from Arnstadt to Lübeck just to hear the great organist Dietrich Buxtehude perform [1].

The Mathematical Musician

Bach’s music reveals an almost mathematical precision that borders on the mystical. His use of numerical symbolism—embedding his name in musical notation (B-A-C-H in German notation equals B♭-A-C-B♮) and incorporating religious numerology—shows a composer who saw music as a divine language. Using a common gematria practice of his time, the letters of his name sum to 14 (B=2, A=1, C=3, H=8), a number that appears as a signature in many of his works [2].

The Well-Tempered Clavier: A Revolutionary AchievementPerhaps Bach’s most pedagogically important work, The Well-Tempered Clavier consists of two books, each containing 24 preludes and fugues in all major and minor keys. This wasn’t just a musical exercise—it was a revolutionary statement. Bach was proving that the new “well-tempered” tuning system could work in all keys, essentially laying the foundation for all future keyboard music [3].

Each fugue is a masterclass in counterpoint, with Bach creating intricate conversations between voices that maintain their independence while forming a perfect whole. The collection includes fugues with up to five voices, such as the fugues in C-sharp minor and B-flat minor from Book I, which are among the most complex pieces in the keyboard repertoire [3].

Brandenburg Concertos: Orchestral Innovation

The six Brandenburg Concertos showcase Bach’s innovative approach to the concerto grosso form. What makes these works extraordinary is Bach’s treatment of instruments as equals. In the Fifth Concerto, he gives the harpsichord (traditionally an accompaniment instrument) a spectacular solo cadenza that essentially invents the keyboard concerto [4].

The Second Concerto’s combination of trumpet, recorder, oboe, and violin was so unusual that modern trumpet players often struggle with the high tessitura that Bach wrote for the natural trumpet of his time, making it one of the most difficult pieces in the trumpet repertoire [5].

Sacred Music: The Pinnacle of Devotion

Bach’s sacred works, including the Mass in B Minor and the St. Matthew Passion, represent the pinnacle of Baroque religious music. The St. Matthew Passion, lasting nearly three hours, is structured like a musical sermon. While the specific emotional mapping of keys is a subject of scholarly debate, Bach’s use of different keys and harmonic colors to convey emotional states is a key feature of the work.

The famous “Erbarme dich” aria showcases Bach’s ability to paint human emotion through music. The violin solo that accompanies the alto’s plea for mercy literally “weeps” through its descending lines, creating one of the most moving moments in all of classical music [6].

The Coffee Cantata: Bach’s Humor

Beyond his serious works, Bach possessed a delightful sense of humor. His “Coffee Cantata” (BWV 211) satirizes the coffee craze sweeping 18th-century Germany, featuring a father trying to wean his daughter off her coffee addiction. Lines like, “If I couldn’t, three times a day, be allowed to drink my little cup of coffee, in my anguish I will turn into a shriveled-up roast goat,” show Bach’s wit and connection to everyday life [7].

The Rediscovery and Modern Influence

After Bach’s death, his music was largely forgotten until Felix Mendelssohn’s historic performance of the St. Matthew Passion in 1829—approximately 100 years after its premiere. This event sparked the Bach revival that continues today [8].

Modern musicians from Glenn Gould to Yo-Yo Ma have found new ways to interpret Bach’s music. Gould’s revolutionary 1955 recording of the Goldberg Variations, played at breakneck speed with unprecedented clarity, showed that Bach’s music could sound completely fresh nearly 200 years after its composition [9].

Why Bach Matters Today

Bach’s influence extends far beyond classical music. Jazz musicians study his harmonic progressions, rock musicians analyze his structural innovations, and computer scientists use his fugues to understand algorithmic composition. His music represents the perfect balance between intellectual rigor and emotional expression—a combination that speaks to our modern desire for both complexity and meaning.

Bach didn’t just compose music; he created a musical universe governed by its own perfect laws, where every note serves both mathematical precision and emotional truth. In our age of artificial intelligence and complex systems, Bach’s ability to create order from chaos feels more relevant than ever.

Bach died believing his music was old-fashioned, yet 275 years later, his works remain startlingly modern. In an age of constant noise, Bach’s music offers something increasingly rare—the opportunity to experience perfect order, profound beauty, and transcendent meaning simultaneously.

References

[1] The Guardian. (2017, December 18). With Bach to the Baltic: a hike through German history. https://www.theguardian.com/travel/2017/dec/18/js-bach-baltic-walking-germany-history-lubeck-mountains

[2] Scientific American. (2024, February 16). Secret Mathematical Patterns Revealed in Bach’s Music. https://www.scientificamerican.com/article/secret-mathematical-patterns-revealed-in-bachs-music/

[3] Wikipedia. (n.d.). The Well-Tempered Clavier. https://en.wikipedia.org/wiki/The_Well-Tempered_Clavier

[4] Wikipedia. (n.d.). Brandenburg Concerto No. 5. https://en.wikipedia.org/wiki/Brandenburg_Concerto_No._5

[5] Russell Gilmour. (2020, October 21). Thoughts on Bach – Brandenburg Concerto No.2. https://www.russellgilmour.co.uk/blog/index.php?id=2553958366688984726

[6] The Listener’s Club. (2017, April 10). Bach’s “Erbarme dich, mein Gott”. https://thelistenersclub.com/2017/04/10/bachs-erbarme-dich-mein-gott/

[7] Emmanuel Music. (n.d.). BWV 211 – Schweigt stille, plaudert nicht. https://www.emmanuelmusic.org/bach-translations/bwv-211

[8] Wikipedia. (n.d.). St Matthew Passion. https://en.wikipedia.org/wiki/St_Matthew_Passion

[9] Wikipedia. (n.d.). Bach: The Goldberg Variations (Glenn Gould album). https://en.wikipedia.org/wiki/Bach:The_Goldberg_Variations(Glenn_Gould_album)

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